Jack White has spoken out about his James Bond collaboration with Alicia Keys.
The White Stripes frontman and Keys recently recorded the trail 'Another Way To Die', which will be the theme to latest 007 movie Quantum Of Solace.
In a statement, White said: "After a couple of years of wanting to collaborate with Alicia Keys, it took James Bond himself to finally draw it happen.
"Alicia put some electric vigor into her breath that cemented itself into the magnetic tape. Very inspiring to watch."
He continued: "I drummed for her vocalisation and she mimicked the guitar tones, then we joined our voices and screamed and moaned around these characters in the film and their isolation, having no-one to confidence, not even themselves. Maybe we became them for a few minutes."
White terminated: "It power be the first analog Bond composition in 20 years. We wanted to push soul into those tapes and join the family of Barry, Bassey, Connery and Craig."
Quantum Of Solace is released in the UK on October 31.
More information
Tuesday, 26 August 2008
Thursday, 7 August 2008
Don Sugarcane Harris
Artist: Don Sugarcane Harris
Genre(s):
Blues
Discography:
Fiddler on the Rock
Year: 2007
Tracks: 6
Beginning his calling as the guitar playing half of the fifties lucy Stone twain, Don & Dewey, Don "Sugar cane" Harris, set
Friday, 27 June 2008
Unn
Artist: Unn
Genre(s):
New Age
Discography:
Electronic Music
Year: 2002
Tracks: 18
Delay
Year: 2001
Tracks: 16
Tuesday, 24 June 2008
Sarah Vaughan and Milton Nascimento
Artist: Sarah Vaughan and Milton Nascimento
Genre(s):
Vocal
Discography:
Brazilian Romance
Year: 1987
Tracks: 10
Matthew McConaughey -- Back to L-I-V-I-N
Saturday, 21 June 2008
Bill Charlap
Artist: Bill Charlap
Genre(s):
Jazz
Discography:
Hieroglyphica
Year: 2001
Tracks: 8
Bill Charlap is i of the strongest mainstream jazz pianists on the scene and i of the to the highest degree gifted interpreters of standards. He grew up in a musical house, as the word of Broadway songster Moose Charlap and singer Sandy Stewart. Taking to the piano at a young years, he went on to work at New York's High School of Performing Arts. He then entered college, simply rather than finishing, opted to practice and gig on his own. Pianist Bill Mays before long took up Charlap's grounds, recommending the young homo as his successor in the Gerry Mulligan Quartet. During this time, Charlap as well worked with Benny Carter, Clark Terry, and Frank Wess, and was sought subsequently as an accompanist for singers such as Tony Bennett, Carol Sloane, and Sheila Jordan. In 1995, he secured ane of the most coveted piano chairs in jazz, with the Phil Woods Quintet.
All the spell, Charlap showed steady exploitation as a leader. His debut came in 1994 with Along with Me, followed by Relic in 1995 and Distant Star in 1996. His 1997 release, All Through the Night, was the number one to feature of speech his current three, with the unnerving (and unrelated) Washingtons, Peter and Kenny, on bass and drums respectively. In 2000, this lineup had its major-label breakthrough with the highly acclaimed Blue Note platter Written in the Stars. Two albums appeared in 2001: 2Gether with Warren Vaché and Contrasts with Jon Gordon. 'S Wonderful pip the shelves in 2002, as did Stardust, which began a serial publication of albums that focused on a individual composer. Stardust featured the music of Hoagy Carmichael, 2004's Somewhere was an all-Leonard Bernstein thing, spell 2005's Plays George Gershwin featured ten songs by the homo Charlap considers "the American soul." 2005 saw the release of an album with Sandy Stewart, Love Is Here to Stay. Two geezerhood by and by, Charlap released Live at the Village Vanguard.
Denise Richards plans return to Playboy
'Things make sense again'
SFTW MEETS BRIAN WILSON
TODAY is Brian Wilson’s 66th birthday and it’s a safe bet he won’t be setting
aside a new aspect of his daily routine.
"I walk every day for exercise so I can keep alive," says the Beach
Boys icon.
His manner is brusque but polite. You sense he only says things he believes
worth saying.
For years, he’s struggled with mental illness but the life of Brian is most
definitely on the up in 2008. Simply being alive is something he cherishes.
He affirms: "My state of being has been elevated because I’ve been
exercising and writing songs. I’m in a better frame of mind these days. It
feels great . . . it’s like I see some light. Things make sense to me again."
Later this month, Brian and his ten-piece backing band will bring a selection
of Beach Boys and solo songs to the UK for three shows. He says these are "exciting
times".
But, to tell his story properly, we must return to 1961, when the girls
were pretty, the open-top cars were flashy, the surf was up, the sun rode
high in the California sky and the Beach Boys came out to play.
Throughout the ensuing decade, brothers Brian, Carl and Dennis Wilson, their
cousin Mike Love and schoolfriend Al Jardine, sent wave after wave of
singles crashing into the charts.
Dream
I ask Brian for his impression of those heady days. "I just think about
us all gathered around the microphone. It’s a nice memory."
The Beach Boys epitomised the American post-war dream, their music a
multi-coloured explosion of fun, fun, fun in the sun, sun, sun.
Sublime vocal harmonies, glorious tunes and feel-good lyrics turned songs like
Good Vibrations, Surfin’ USA, I Get Around, Barbara Ann and California Girls
into the timeless wonders we treasure today.
Their 1966 album Pet Sounds was the culmination of Brian’s songwriting
artistry and his recording mastery, a bona fide American equivalent of The
Beatles’ Sgt Pepper’s Lonely Hearts Club Band.
Paul McCartney has often said that one of the album’s classics, God Only
Knows, written by Brian and sung by voice-of-an-angel Carl, is the greatest
song ever written.
So, was Pet Sounds Brian’s proudest achievement? "Actually, I think
SMiLE was my best achievement," Brian replies.
"Pet Sounds was good too, though." (He’s a master of
understatement.)
It’s sad to think this genius chief architect of the band’s unique sunlit
sound went on to suffer years in the darkness in the Seventies and Eighties.
Mental illness allied to drug abuse left Brian lost in a world of his own from
which few believed he would return.
But his rehabilitation began in 1988 with his first solo album and continued
with I Just Wasn’t Made For These Times (1995), Orange Crate Art (1995 with
long-time collaborator Van Dyke Parks), Imagination (1998) and Gettin’ In
Over My Head (2004).
Also in 2004, he finally realised his lost masterpiece SMiLE.
"It was amazing," reflects Brian. "I never ever imagined it
coming out until about 2003/4 when my manager and my wife said: ‘You ought
to try to finish it."
He also released a Pet Sounds Live album, but would he consider playing the
album again in its entirety in concert? "I don’t think we’ll be doing
that again. We just thought we drove it into the ground."
Now, he looks forward to releasing a new album in September that again casts a
bit more sunshine into his life.
That Lucky Old Sun takes its name from a song written in 1949 and made famous
by, among others, Louis Armstrong. Brian’s interpretation is the opening
track and it begins like this:
Up in the mornin’/Out on the job/ Work like the devil for my pay/ But that
lucky old sun got nothin’ to do/ But roll around heaven all day.
It was the lyrics that inspired Brian to write the rest of the album. "It
all spawned from that," he says.
"I never knew the song but I wanted to hear it.
Hit singles ... The Beach Boys
"I went and bought Louis Armstrong’s version. I played it and learned it
and changed the chords round a little bit."
The album reunites Brian with Capitol Records, the label that released so many
of those Beach Boys’ hits in the Sixties.
Brian says on his website: "I’m thrilled to be back home with Capitol and
I’m looking forward to sharing That Lucky Old Sun with everyone. This music
is really special to me."
But he tells me that the day he signed was not such a happy event, the circus
surrounding his appearance at the label’s offices causing some distress. It
was an emotional experience for me. I got kinda sentimental about it.
"I had a tough time, though, because we were running around like chickens
with our heads cut off.
"It was a whole mess. The room was filled with people. There were so many
people in that room. You could hardly move around."
As for the music, Brian has used it to rekindle his love affair with Southern
California and the Pacific Ocean. Forever My Surfer Girl is a modern take on
The Beach Boys’ 1963 hit Surfer Girl.
Brian explains: "It was inspired by my original song but I just wanted to
change it around so it could be interesting."
Did it say something about him now rather than him in the Sixties? "Right,
exactly."
Roll
Another new song, Midnight’s Another Day, is already being described as a
classic.
"It just came out of my head. Nothing inspired it or anything. It’s one
of my very favourites on the album."
And California Role alludes to the place Brian sees himself in right now. One
line goes: "You don’t have to climb the Capitol tower or play the
Hollywood Bowl/If there’s a roll in your heart and a rock in your soul".
It’s particularly resonant as Brian, his band and a firework show will light
up the famed Bowl for three nights in September.
The album features collaborations with band member Scott Bennett and his "sidekick"
Van Dyke Parks who he describes as one of the "great lyricists."
Brian explains that it’s an "interwoven series of rounds with
interspersed spoken word", a kind of autobiographical travelogue, a
chance to reflect on his life less ordinary.
It’s clear that these are "exciting times" indeed.
He got his first Grammy in 2005 for Mrs O’Leary’s Cow from SMiLE and last year
the Kennedy Center Honors committee recognised Brian’s cultural significance
alongside Diana Ross, Steve Martin and Martin Scorsese.
That Lucky Old Sun may be rolling around heaven all day, but it’s also shining
on Brian Douglas Wilson once more.
Brian Wilson plays Kenwood, Hampstead, London, on June 28 (picnicconcerts.com),
Ipswich Regent Theatre on June 29 (livenation.co.uk) and the Royal Albert
Hall, London, on July 1 (royalalberthall.com or ticketline.co.uk). The Beach
Boys’ US Singles Collection: The Capitol Years (1962-65) is out now.
That Lucky Old Sun by Brian Wilson is out on September 1.
TODAY is Brian Wilson’s 66th birthday and it’s a safe bet he won’t be setting
aside a new aspect of his daily routine.
"I walk every day for exercise so I can keep alive," says the Beach
Boys icon.
His manner is brusque but polite. You sense he only says things he believes
worth saying.
For years, he’s struggled with mental illness but the life of Brian is most
definitely on the up in 2008. Simply being alive is something he cherishes.
He affirms: "My state of being has been elevated because I’ve been
exercising and writing songs. I’m in a better frame of mind these days. It
feels great . . . it’s like I see some light. Things make sense to me again."
Later this month, Brian and his ten-piece backing band will bring a selection
of Beach Boys and solo songs to the UK for three shows. He says these are "exciting
times".
But, to tell his story properly, we must return to 1961, when the girls
were pretty, the open-top cars were flashy, the surf was up, the sun rode
high in the California sky and the Beach Boys came out to play.
Throughout the ensuing decade, brothers Brian, Carl and Dennis Wilson, their
cousin Mike Love and schoolfriend Al Jardine, sent wave after wave of
singles crashing into the charts.
Dream
I ask Brian for his impression of those heady days. "I just think about
us all gathered around the microphone. It’s a nice memory."
The Beach Boys epitomised the American post-war dream, their music a
multi-coloured explosion of fun, fun, fun in the sun, sun, sun.
Sublime vocal harmonies, glorious tunes and feel-good lyrics turned songs like
Good Vibrations, Surfin’ USA, I Get Around, Barbara Ann and California Girls
into the timeless wonders we treasure today.
Their 1966 album Pet Sounds was the culmination of Brian’s songwriting
artistry and his recording mastery, a bona fide American equivalent of The
Beatles’ Sgt Pepper’s Lonely Hearts Club Band.
Paul McCartney has often said that one of the album’s classics, God Only
Knows, written by Brian and sung by voice-of-an-angel Carl, is the greatest
song ever written.
So, was Pet Sounds Brian’s proudest achievement? "Actually, I think
SMiLE was my best achievement," Brian replies.
"Pet Sounds was good too, though." (He’s a master of
understatement.)
It’s sad to think this genius chief architect of the band’s unique sunlit
sound went on to suffer years in the darkness in the Seventies and Eighties.
Mental illness allied to drug abuse left Brian lost in a world of his own from
which few believed he would return.
But his rehabilitation began in 1988 with his first solo album and continued
with I Just Wasn’t Made For These Times (1995), Orange Crate Art (1995 with
long-time collaborator Van Dyke Parks), Imagination (1998) and Gettin’ In
Over My Head (2004).
Also in 2004, he finally realised his lost masterpiece SMiLE.
"It was amazing," reflects Brian. "I never ever imagined it
coming out until about 2003/4 when my manager and my wife said: ‘You ought
to try to finish it."
He also released a Pet Sounds Live album, but would he consider playing the
album again in its entirety in concert? "I don’t think we’ll be doing
that again. We just thought we drove it into the ground."
Now, he looks forward to releasing a new album in September that again casts a
bit more sunshine into his life.
That Lucky Old Sun takes its name from a song written in 1949 and made famous
by, among others, Louis Armstrong. Brian’s interpretation is the opening
track and it begins like this:
Up in the mornin’/Out on the job/ Work like the devil for my pay/ But that
lucky old sun got nothin’ to do/ But roll around heaven all day.
It was the lyrics that inspired Brian to write the rest of the album. "It
all spawned from that," he says.
"I never knew the song but I wanted to hear it.
Hit singles ... The Beach Boys
"I went and bought Louis Armstrong’s version. I played it and learned it
and changed the chords round a little bit."
The album reunites Brian with Capitol Records, the label that released so many
of those Beach Boys’ hits in the Sixties.
Brian says on his website: "I’m thrilled to be back home with Capitol and
I’m looking forward to sharing That Lucky Old Sun with everyone. This music
is really special to me."
But he tells me that the day he signed was not such a happy event, the circus
surrounding his appearance at the label’s offices causing some distress. It
was an emotional experience for me. I got kinda sentimental about it.
"I had a tough time, though, because we were running around like chickens
with our heads cut off.
"It was a whole mess. The room was filled with people. There were so many
people in that room. You could hardly move around."
As for the music, Brian has used it to rekindle his love affair with Southern
California and the Pacific Ocean. Forever My Surfer Girl is a modern take on
The Beach Boys’ 1963 hit Surfer Girl.
Brian explains: "It was inspired by my original song but I just wanted to
change it around so it could be interesting."
Did it say something about him now rather than him in the Sixties? "Right,
exactly."
Roll
Another new song, Midnight’s Another Day, is already being described as a
classic.
"It just came out of my head. Nothing inspired it or anything. It’s one
of my very favourites on the album."
And California Role alludes to the place Brian sees himself in right now. One
line goes: "You don’t have to climb the Capitol tower or play the
Hollywood Bowl/If there’s a roll in your heart and a rock in your soul".
It’s particularly resonant as Brian, his band and a firework show will light
up the famed Bowl for three nights in September.
The album features collaborations with band member Scott Bennett and his "sidekick"
Van Dyke Parks who he describes as one of the "great lyricists."
Brian explains that it’s an "interwoven series of rounds with
interspersed spoken word", a kind of autobiographical travelogue, a
chance to reflect on his life less ordinary.
It’s clear that these are "exciting times" indeed.
He got his first Grammy in 2005 for Mrs O’Leary’s Cow from SMiLE and last year
the Kennedy Center Honors committee recognised Brian’s cultural significance
alongside Diana Ross, Steve Martin and Martin Scorsese.
That Lucky Old Sun may be rolling around heaven all day, but it’s also shining
on Brian Douglas Wilson once more.
Brian Wilson plays Kenwood, Hampstead, London, on June 28 (picnicconcerts.com),
Ipswich Regent Theatre on June 29 (livenation.co.uk) and the Royal Albert
Hall, London, on July 1 (royalalberthall.com or ticketline.co.uk). The Beach
Boys’ US Singles Collection: The Capitol Years (1962-65) is out now.
That Lucky Old Sun by Brian Wilson is out on September 1.
Cyndi Lauper announces UK tour
Cyndi Lauper has confirmed details of a UK tour.
The veteran popstar, 54, announced four autumn shows, which will kick off at Manchester Bridgewater Hall on October 10.
She will also visit Southampton, Birmingham and London on the jaunt.
The singer, who is currently promoting her Bring Ya To The Brink LP, had hits with 'Girls Just Want To Have Fun', 'True Colours' and 'Time After Time' in the 1980s.
See Also
The veteran popstar, 54, announced four autumn shows, which will kick off at Manchester Bridgewater Hall on October 10.
She will also visit Southampton, Birmingham and London on the jaunt.
The singer, who is currently promoting her Bring Ya To The Brink LP, had hits with 'Girls Just Want To Have Fun', 'True Colours' and 'Time After Time' in the 1980s.
See Also
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